One of the last portraits of Sandro Botticelli left in private hands was sold at auction for over $ 92 million USD (net of costs) on Thursday morning in Sotheby’s New York.
The 15th century painting “Young Man Holding a Roundel” was the most expensive work by the Renaissance artist to ever appear at auction, and the most valuable of the Old Masters’ work ever sold in a Sotheby’s, the auction house announced.
The portrait, believed to have been taken in the late 1470s or early 1480s, was bought by its previous owner in 1982 for just £ 810,000 (just over $ 1 million in today’s money). It depicts an unidentified young man with a small circular painting known as a rondel.
The rondel itself contains a miniature religious portrait of the 14th-century Sienese painter Bartolomeo Bulgarini that Botticelli incorporated into the work.

Botticelli incorporated the work of a previous artist into the roundel of his unidentified subject. Credit: Sotheby’s
While not as well known as Botticelli masterpieces like “The Birth of Venus” and “Primavera,” the portrait sold on Thursday depicts “the quintessential Renaissance man,” Apostle said. “It feels very modern, thanks in large part to its amazing condition and environment,” he said.
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Although celebrated in his lifetime, Botticelli’s legacy faded after his death in 1510. It was not until the end of the 19th century that interest in his oeuvre was rekindled.
Botticelli rarely made portraits, focusing most of his career on religious scenes and paintings from classical mythology. Only a dozen of them are known to survive, and almost all of them can now be found in museum collections.

The Birth of Venus depicted in the Uffizi Gallery in Florence in 2016. Credit: Alberto Pizzoli / AFP / Getty Images
“Young Man Holding a Roundel” was the star of Sotheby’s “Master Paintings and Sculpture” sale, which brought together still lifes and portraits of celebrated European artists. The other standout lot, a rare biblical scene by Rembrandt entitled ‘Abraham and the Angels’, which had not appeared for auction since the 1840s, was one of four works withdrawn just before the sale began.